Around the
1490's is when costume historians can agree that the new dress for Renaissance
began. This was the period of clothing that could be said that excessiveness in
all areas of costume began. Different countries took the news styles
differently.
For instance,
the northern European countries were distorting the natural figure by padding
sleeves, doublets and stockings. Italy did not go as far as the North, and
England and France followed Italy's lead while they stuck to more medieval
influenced styles.
Germans went
to the great extreme to make “improvements” in the natural profile. They put
large puffs at the head, shoulders, thighs; small puffs, like boils, over
chest, back, arms, legs and feet. They put feathers on many on everything from
wide-brimmed hats to the knees. Clothing at this time followed suit with all
other types of creative expression at this time—it went over the top into new
discoveries.
Enduring features in all countries are
summarized as thus: rich heavy materials, in capacious amount, huge sleeves,
close body garments, big hip-clothing, wide-toed, heelless shoes and enclosed
heads masculine and feminine.
Most men's
hair was bobbed but the length of your hair was chosen by individual taste.
This could be straight or curled according to the nature of the wearer.
As the
sixteenth century advanced men wore their hair tinier almost like modern hair.
The men wore disparities of the low-crowned, brimmed cap and were often turned
up all around or with just one side turned up.
Women wore the low-crowned hat in the same
fashion as the men. Women either wore their hair with elaborate structures in
their hair like the Germans or with just a kerchief. They had the hair covered
with some kind of headdress. Some names of headdresses are: crescent, kennel,
gable, transparent half-dome bonnet, or the Georgette and wimple. Peasant women
wore the cote of the earlier period and handkerchiefs or collars around their
neck. They looked like what we associate dress of the Puritans.
Colors of this period are strong, often dark
colors. Black velvet was a staple fabric of the period, especially in
headdresses. White linen was another accent against colors of gold and burgundy
for collars and wrist ruffles.
